Links und Downloads
Prof. Beate Gütschow
Fotografin: Anke Illing
Professor of artistic photography
+49 221 20189 - 343beate.guetschow@khm.de
Filzengraben 8 - 10, Etage: H.3.8
Beate Gütschow is a contemporary German artist, living and working in Cologne and Berlin. Gütschow received her education from University of Fine Arts, Hamburg (1993-2000) and the Oslo National Academy of the Arts (1997). She has exhibited in notable venues such as Fotoarsenal Vienna, the Kunsthalle im Lipsiusbau, Dresden Kunsthalle Nürnberg, Nuremberg and the Museum of Contemporary Photography, Chicago. Her work is held in many private and public collections including that of the Guggenheim, NY; Kunsthalle, Hamburg; Städel Museum, Frankfurt; Kunsthaus Zürich; SF Moma, CA; and the Metropolitan Museum of Art, NY.
2023
- Alex Grein, Beate Gütschow, Susanne Holschbach, Inga Schneider (Hgg.): PHOTOGRAPHIC MATERIALS. Archives and New Tools, Köln 2023, pp. 12 –16.
- Michael Reisch, Barbara J. Scheuermann (Hgg.): Expect the Unexpected. Aktuelle Konzepte für Fotografie, Bonn 2023– (Ausst.-Kat. Kunstmuseum Bonn, 16. Feb. – 20. Apr. 2023), pp.108–109, pp. 138–143.
2022
- Christina Leber, Katrin Thomschke (Hgg.): Licht ins Dunkel: Wohin entwickelt sich die künstlerische Fotografie?, Heidelberg, 2022. pp. 58–65.
- Danièle Méaux, Jonathan Tichit (Hgg.): Arts contemporains & anthropocène. Paris 2022, pp.214–222.
- darktaxa-project, the artists: darktaxa-project project no publication,Köln pp. 28–29, 38–45, 59, 62–63, 72, 76, 89, 114–118, 131, 143, 168–171, 205–206, 258–259, 260, 276, 318–319, 326–327, 418, 428–432, 434–470, 539, 570, 665.
2020
- Dana Bergmann, Ralph Goertz, Gregor Jansen (Hgg.): Subjekt und Objekt. Foto Rhein Ruhr, Köln 2020 - (Ausst.-Kat. Kunsthalle Düsseldorf, 21. Mär. 2020 – 14. Jun. 2020), S. 198, 258-259.
- darktaxa-projects (Hg.): noManifesto, Düsseldorf 2020.
2019
- LAND_SCOPE. Edited by Ulrich Pohlmann, Christina Leber, Katharinner Zimmermann, Erec Gellautz, Munich, 2019. Exh. Cat. Stadtmuseum München. Munich, 2019, pp. 20-27.
- Fiction and Fabrication. Edited by Pedro Gadanho, Munich, 2019. Exh. Cat. MAAT – Museum of Art, Architecture and Technology, Lisboa, 2019, pp. 146-149.
2018
- Ruelfs, Esther. “A disquieting undertone” Photoszene Magazin, no. 4 (September 2018), p. 8-11.
- A COLEÇÃO SONNABEND: PARTE II. Edited by António Homem. Exh. cat. Serralves Museum. Porto, 2018, pp. 102
2017
- Architektur im Bild. Edited by Manuela Reissmann. Exh. cat. Kunsthaus Zürich. Zürich, 2017, pp. 85.
- Zervigón, Andrés Mario. Photography and Germany. London, 2017. P 198.
- Space. Edited by Stephan Barber and Michael Benson. Exh. cat. on the occasion of the Prix Pictet. London, 2017, pp. 73, 106-07.
- The History Show. Edited by Uwe Fleckner and Bettina Steinbrügge. Reader Kunstverein Hamburg. Hamburg, pp. 28–37.
2016
- Florian Ebner, Anna-Catharina Gebbers, Maren Lübke Tidow, Friedrich Tietjen: Beate Gütschow: ZISLS. Heidelberg, 2016.
- Gärten der Welt. Edited by Albert Lutz and Hans von Trotha. Exh. cat. Museum Rietberg Zurich. Cologne, 2016, p. 212.
- Donna West Brett. Photography and Place. Seeing and Not Seeing Germany After 1945. New York, 2016, p. 11, 157, pp. 165–67.
- Martin Engler and Max Hollein. Gegenwartskunst 1945 bis Heute im Städel Museum. Ostfildern, 2016, p. 335.
2015
- Imagine Reality. Edited by Ray Fotografieprojekte Frankfurt/RheinMain.Exh. cat. MMK Museum für moderne Kunst Frankfurt am Main, Museum für angewandte Kunst Frankfurt, Forum für Fotografie Frankfurt. Heidelberg and Berlin, 2015, pp. 44–47.
- Lost Sites. Edited by Javier Manzanos. Exh. cat. Centro de Arte Contemporáneo Huarte. Navarra, 2015.
- Radikal Modern. Edited by Thomas Köhler and Ursula Müller. Exh. cat. Berlinische Galerie Berlin. Tübingen and Berlin, 2015, pp. 194–95.
- (un)möglich! Künstler als Architekten. Edited by Anne Schloen. Exh. cat. Marta Herford. Herford, 2015, pp. 34–35.
2014
- Ewing, William A. Landmark. The Fields of Landscape Photography. London, 2014, p. 226. Njami, Simon. Just Ask! From Africa to Zeitgeist. Bielefeld, 2014, p. 102.
- Barnets, Els. de Marseillaise. vijftien jaar verzamelen. fifteen years of collecting. Amsterdam, 2014, p. 142.
- Larroche, Caroline. Collages et photomontages. Découper-coller, tout un art! Paris, 2014, p. 28.
2013
- Elzel, Wiebke, Gütschow Beate, eds. Perspektiven auf den Ausstellungsraum. Exh. cat. Simultanhalle – Raum für zeitgenössische Kunst. Cologne, 2013
- Janser, Daniela, Thomas Seelig and Urs Stahel, eds. Concrete – Photography and Architecture. Exh. cat. Fotomuseum Winterthur. Zurich, 2013. (p. 157)
2012
- Kunsthalle Hamburg (Hg.): Lost Places – Orte in der Photographie, Bielefeld, 2012, S. 44- 49, 140-141.
2011
- Deichtorhallen Hamburg, ed. Veto - Zeitgenössischen Positionen in der deutschen Fotografie. Heidelberg Berlin, 2011. (pp. 68 - 75)
- Deutsche Börse AG, ed. XL Photography 4, Ostfildern, 2011, (pp. 74 - 77)
2010
- Galerie Rudolfinum, ed. Double Fantasy – Jan Jedlička, Michal Šeba, Beate Gütschow. Exh. cat. Galerie Rudolfinum. Prague, 2010. (pp. 47–52, 96–109)
- Rosenblum, Naomi. A History of Women Photographers. Third Edition. New York, 2010. (pp. 294–5, 344, 402–3)
2009
- Staatliche Kunstsammlungen Dresden, ed. Beate Gütschow: S. Exh. cat. Staatliche Kunstsammlungen Dresden, Ostfildern, 2009.
2008
- Martin, Lesley A., ed. Beate Gütschow LS / S. Exh. cat. Haus am Waldsee, Berlin. Cologne, 2008.
- Sabau, Luminita, ed. Konzept: Fotografie. Real – Aus der Sammlung der DZ Bank. Exh. cat. Städel Museum, Frankfurt. Ostfildern, 2008. (pp. 124 f.)
2007
- Martin, Lesley A., ed. Beate Gütschow LS / S. Exh. cat. Museum of Contemporary Photography, Chicago. New York, 2007.
- Storr, Robert and Harriet Bee, eds. Think with the Senses, Feel with the Mind: Art in the Present Tense. Exh. cat. La Biennale di Venezia, 52. Esposizione Internationale d‘Arte. Venice, 2007. 3 vols. (vol. 2, p. 274)
- 2006/2007: Erzählung/narration, Galerie Neue Meister.
- Neue Meister. Exh. cat. Staatliche Kunstsammlungen, Dresden, 2006. (pp. 66-96)
2005
- Masuda, Rei, et al., ed. Zwischen Wirklichkeit und Bild: Positionen deutscher Fotografie der Gegenwart. Exh. cat. The National Museum of Modern Art, Tokyo. 2005. (pp. 81-83, p. 118)
