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Joana Moll
Joana Moll (*1982, Barcelona) is an artist and researcher. Her work critically explores the way techno-capitalist narratives affect the alphabetization of machines, humans and ecosystems. Her main research topics include Internet materiality, surveillance, social profiling, interfaces, and energy. She has presented her work in renowned institutions, museums, universities and festivals around the world such as Venice Biennale, Art Basel, MAXXI, MMOMA, MACBA, Laboral, CCCB, ZKM, Bozar, The Natural History Museum in Berlin, Austrian Museum of Applied Arts (MAK), Ars Electronica, HeK Basel, Photographer’s Gallery, Korean Cultural Foundation Center, Chronus Art Center, New York University, Georgetown University, Berkman Klein Center at Harvard University, Rutgers University, University of Cambridge, Goldsmiths University of London, University of Illinois, Concordia University, Universitat Autònoma de Barcelona, ETH Zürich, École d'Art d'Aix en Provence, British Computer Society, The New School, CPDP 2019, Transmediale, FILE and ISEA among many others. Her work has been featured extensively on international media including The New York Times, The Financial Times, Der Spiegel, National Geographic, Quartz, Wired, Vice, The New Inquiry, Netzpolitk, El Mundo, O’Globo, La Reppublica, Fast Company, CBC, NBC or MIT Press.
She is the co-founder of the Critical Interface Politics Research Group at HANGAR [Barcelona]. She's been a research fellow at BBVA Foundation, a fellow at The Weizenbaum Institute in Berlin, an artistic researcher in residence at the Critical Media Lab at HGK in Basel, a guest lecturer at Universität Potsdam, and a visting lecturer at Escola Elisava, in Barcelona. Currently she is a fellow at Disruption Netwok Lab Insitute in Berlin.
