'Great things don't happen in tiny little increments.

All you geniuses, you're just modifying algorithms.’

[Lip, Shamless US]

Networks dominate out realities. Our daily interaction with technology obscures our view of the radical changes that are taking place at breath-taking speed in the technological underground. There is an urgent and tangible need to operate futuristically and to take up avant-garde positions. Theoretical art meets the Roman road network, human-cognitive overload meets imbalanced algorithms. We must confront this speed and this game with intuition, abstraction, affirmation and models that serve to explain.

In practical thinking, arrogance is better than insecurity and brutality is more effective than sensitivity. In theoretical activity, intuition and vagueness is required. The history of the game is about the creation of aesthetics and action through tension and conflict. Rigorous research and free experimentation, high tension every day, hard products and subversive strategies are required to produce entertainment and resistance. The predominance of neo-Biedermeier and ornamentalism must be confronted with a renaissance of technology, of critical thinking and an elucidation of the essence of data processing, of the legal systems, the infrastructure and the organisations.

The ‘Black Mirror Institute’ (in the subject area of Networks) are spaces at the KHM in Cologne and open and uncensored online infrastructures and digitally autonomous cells (containers), underscored with technical rules & legal protocols. These are thoroughly structured and therefore unfettered reflective spaces for production processes, marginal experiments and international research collaborations.


Research Group 'Networks':

We ask ourselves what it means to be an individual in a networked world, and starting from this position as a research group we engage with various media and processes, e.g. AI/KI, Blockchain, (Audio) AR, Populism and Social Media, Sonification and Soundscapes, Digital Art Market, Vaporwave, Transhumanism, Digital Performance, Gamification, Horror/entertainment in networked organisms, Transspecies Altruism, Archiving and Memory, the political ambiguity of distributed networks. Sam Hopkins focuses his research specifically on political ambiguity in distributed networks. 

Black Mirror Institut

The BMI works with models of radical disruption, subversive decentralization, think tanks and production units. These entities are network cells that provide resources for researchers, artists and thinkers. The Black Mirror Institute serves as an interface between institutions, networks, public research institutions and newly founded companies, as well as the KHM and UBERMORGEN. Products and projects can be a variety of material or immaterial things such as models, research, reports or project implementation. Experimental basic research is the core of every thought, action and element of this think tank.


More Media


Real-time Propaganda, Binary Primitivism, Transhumanism, Theoretical Art, Serial Killer Detection Algorithms, Newspeak/NLP, New Painting, Afro-Tech, Future Technologies, Social Credit System in China, Parafiction/Consensual Hallucination, Online Stalking/Sexism/Racism, Data Management, Affective Computing, Habitual Media, Network Effects, Algorithmic War, Quantified Self, Memory, Archiving of Digital Art / Data Conservation, non-biased Algorithms, Cyberfeminism, Digital Folklore, Branding, Neo-Biedermeier, NSA/GCHQ, Alt Right/Antifa, Psychopathology, Hacking & System Weak Points (Zero Days), Games/Gamification, Making/DiY, IP/Copyright/Copyleft, Ancestry/Heritage, Bio Art, DiY DNA Sequencing, Synthetic Drugs, Algorithmic Directing, Machine-curated Shows, Youtube/Vlogs, Financial Systems/Future Models of Money, Social Media, Digital Conceptual Art, Generative Art/Data Visualisation, Metadata & Big Data, 8bit/Lo-Tec Music, Politic of the Networks, Open Data, Digital Federalism, Psychopathologies, Alt-Right, Online Dating Systems, Online Poker, Hacktivism, Online Porn, Advertising Technologies, Self-learning Systems and Algorithmic Sovereignty, Data Journalism, Software Decay, Datafication, Online Crime, Darkweb/Tor, Lidar Systems, Adversarial Systems, Blockchain, Mobile/Apps, Bodycams, Algorithmic Trading, Encryption, Face/Gesture Recognition/Interpretation, Server Side Scripting, Image Recognition, Algorithms & Programming Languages, Internet of Things (IoT), Autonomous Vehicles & Lethal Autonomous Robots, Twitch/Streaming, Augmented/Mixed Reality, Networked/Remote Learning & Working, Git, AI/KI, IPV6, Data Compression, Docker, Clouds, Mesh Networks



Blockchain Reading Group

Mi You (KMW), Sam Hopkins (Kunst), Verena Friedrich (exMedia)


Tuesdays, bi-monthly 10:30 – 13:00

Filzengraben 2, Atelier- / Seminarraum H 4.02 (Netze)

Q: What is the blockchain?

A: A decentralised, difficult to hack database, that is shared across a peer-to-peer (P2P) network.

Q: Why is it important?

A: It offers radical potential for managing data in a non-hierarchical manner such as creating cryptocurrencies, sharing ownership and commoning information. Blockchain is where cryptography, distributed systems, politics and economy converge.

Q: What is this seminar about?

A: We will read texts together to understand the structural foundation of the blockchain, and its applications in sociopolitical contexts.

Keywords: replicated database, self-supporting incentive system, consensus rule, proof-of-work scheme, possibility to rethink the valuation of value, the commons, interpretation and assignment of rights and entitlements...

Get Rich or Die Tryin'


We develop commercial strategies and products with a focus on the African and European markets.

The participants develop tools, apps, online services or systems with clear commercial intent. We offer consulting in product development and provide equipment and infrastructure. We develop offerings specifically for Africa and Europe and ignore the broadly trampled paths of prevailing neoliberal thinking and acting (Silicon Valley). The technical implementation of the product ideas is carried out by the students themselves or by African/Eastern European programmers (remotely). Therefore, no specific technical knowledge is required for participation.

In addition, a bi-weekly lecture series and critical reflection on the morphology of existing networks, on a possible contingency theory of technology, and on contemporary technologies and concepts, such as IoT, digital protectionism, autonomous vehicles, AI, DeepAds, hashed experience, theoretical art, digital colonialism, machinecurating, NPCs, and digital decay, will serve as a source of inspiration for the seminar.

Material: Students can buy technical components and equipment from the seminar budget to experiment with, but also to build installations and systems.

The seminar is scheduled for one year and includes online offline impulse lectures, R&D, project work, a joint annual project (academic year 2018/19) and supplementary lectures by guests.

Location: Filzengraben 2, Atelier-/ Seminarraum Netze H 4.02 (Black Mirror Institute) 
Type of seminar:
First appointment:
Wednesday, 24.10.2018




Performance/Installation (Rundgang 2018, Atelier Netze)

The Institute for Structural Abuse is a playground for the abuse of power, disguised as a harmless start-up office. Victims and perpetrators act in a constantly renewing and revising food chain of casual compliments, lewd looks, locker room influencers and cat call CEOs. It's all part of everyday life, just as sitting in front of a computer, taking lunch breaks and making phone calls. In this aesthetic of abuse of power, the boundaries between actors and visitors are blurred, and anyone who dares to go onto the playing field becomes part of the game - with nothing less than their*/your* body and their*/your* dignity as a stake.

Dazed by stimulating work atmospheres and brightly colored office designs, the stomach filled with hearty meals from countless superfood ingredients, we enter legal grey zones and go as far as we can (and perhaps a little further </3). Everything is archived, processed and made accessible by hash tag; what we cannot bear, we smile away.

The net is our ally, who diligently undermines us, a double agent whose identity we have known about for a long time, a domestic rapist, who provides us with a home of our own and maintenance for the rest of our lives and - let's be honest - it's just a bit of sex. Where we stand at the end of the day, in front of the often prophesied but never reached pile of broken glass or on the green meadow of the (sexual) Consents, is unclear and part of the experiment. One thing is certain: We can, we want, and what happens at the art academy stays at the art academy. As Frank Castorf Blaise Pascal quotes: 'What is important in hunting is not the prey, but the hunt itself'.

The Institute for Structural Abuse is an institution, an installation and the active working environment of: Anne Arndt, Felix Bartke, Marie-Claire Delarber, Juan Esteban, Mattis Kuhn and Julia-Lena Lippoldt.

Text by Marie-Claire Delarber.

Translated by

Archive of Seminars

Angewandte Radikalität im Netz


Radix sit intus dilectionis, non potest de ista radice nisi bonum exire. (Augustinus)

Die Wurzel der Liebe sei in deinem Innern, aus dieser Wurzel kann nur Gutes hervorgehen.

The seminar deals with terms, concepts and applications of radical action in the net. The aim is to translate artistic, commercial and political models into radical instructions and actions and to strengthen self-confidence and self-understanding for this kind of thinking and acting.

Radicality as a term goes back to the Latin word radix/root. In this sense, the term stands for the endeavour to tackle problems "at the root" and to solve them from there as comprehensively, completely and sustainably as possible. This intellectual component is here extended by the concept of subversion, originally the description of a productive activity in agriculture (turning the soil upside down to plough in newly planted soil). Radicality thus stands here as a counter-concept to compromise and destruction. The aim is not extremes, but approaches that live from applied logical deductions as well as from free will.

The seminar will include text analyses, actions, autonomous aesthetic practice, the design of economic models and supplementary lectures by guests.

Location: Studio room/seminar room 4.01, Filzengraben 2
Type of seminar: Seminar
Day: Wednesday
Time: 15-17h
First appointment: Wednesday, 11.4.18

Translated by

Subversion Dialectica Workshop, UNAL/Bogota


In the workshop 'Dialectic Subversion' we use a personal approach to the world and apply 'Negative Affirmation' in practical exercises. The idea is to change perspective on your own beliefs and ideologies. The process will show students the real-life implications if they embrace the world (until it hurts) rather than criticise it (which is easy). The results of the workshop can be used to find new strategies in the current political struggle. Or these techniques can be applied in any research, creation and thinking. The workshop is open and can useful for students working in all different fields, faculties and school at UNAL. The workshop is run by Hans Bernhard (US/CH) from the Academy of Media Arts in Cologne (DE) and the UBERMORGEN Artist Duo (AT/CH/US).


En el taller 'Subversión Dialéctica' utilizamos un enfoque personal del mundo y aplicamos la'Afirmación Negativa' en ejercicios prácticos. La idea es cambiar la perspectiva de sus propias creencias e ideologías. El proceso mostrará a los estudiantes las implicaciones de la vida real si abrazan el mundo (hasta que les duela) en lugar de criticarlo (lo cual es fácil). Los resultados del taller pueden ser utilizados para encontrar nuevas estrategias en la lucha política actual. O estas técnicas pueden ser aplicadas en cualquier investigación, creación y pensamiento. El taller es abierto y puede ser útil para los estudiantes que trabajan en todos los campos, facultades y escuelas de la UNAL. El taller está dirigido por Hans Bernhard (US/CH) de la Academia de Artes de los Medios de Comunicación de Colonia (DE) y el Dúo de Artistas de UBERMORGEN (AT).

Date & Time: Tuesday, Nov 6, 2018, 2pm
Location: UNAL Bogota, Film y Television

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